Sonali Asha – Bangabandhu Jute and Textile Museum

BRAC University, Department of Architecture, Dhaka

Project idea

Bangladesh's socioeconomic and cultural existence has been influenced by the deltaic terrain that the country's major rivers and their tributaries have formed. Through the years, it has also had an impact on jute and textile industries. Jute is called the Golden Fiber of Bangladesh. Over three million small farm households rely on it as a primary cash crop. Not to mention that 70% of raw jute is exported from Bangladesh, the largest exporter in the world. A varied community is formed by the traditional/native jute and textile industries. Bangladesh's jute and textile tradition dates back many years, but due to improper maintenance, inadequate exposure, and our own irresponsibility, it is rapidly disappearing. Jute and textile artisans received aristocratic support and possessed more advanced talents, which they often passed down from generations. However, because of its lower economic return and the fact that most of the individuals involved with it come from rural areas of our nation, its identity has substantially diminished over the past several years. The necessity for this endeavor was created by the aforementioned reasons. The goal of this project is to provide a setting where jute, the Golden fiber from earlier ages, may be conserved, represent national tradition, and inspire the next generation to value the culture and those who have lost their connection to it.

Project description

The design considerations for the "Sonali Asha- Bangabandhu Jute and Textile Museum" in Tarabo, Narayanganj, reflect a deep commitment to preserving and showcasing the heritage of jute culture in a contemporary and engaging manner. The primary aim is to provide a sustainable platform for weavers to exhibit their skills and earn a livelihood. To achieve this, the design incorporates several key elements.

The museum features exhibition spaces dedicated to presenting the rich heritage of jute culture. These spaces tell the story of the jute industry's history, processes, opportunities, and products, offering a comprehensive and immersive experience for visitors.

Supporting the local weavers is a central focus, with the design including spaces that enable them to showcase their talents and generate income. This ensures that the museum becomes an integral part of the community's economic development.

Incorporating a green courtyard allows visitors to enjoy the golden era of jute in a natural and cultural setting. This outdoor space seamlessly blends the beauty of nature with the historical significance of jute.

The design allocates land for jute research and cultural festivals, emphasizing the importance of agricultural aspects of jute culture. This not only educates visitors but also promotes the sustainability of jute culture.

The design also pays homage to the role of water bodies in the jute trading industry, preserving this vital element of jute culture and heritage.

To enhance accessibility, the design addresses the limited access points and disconnected roads, making the museum easily reachable for weavers and visitors. The site's topography is also optimized to promote efficient connectivity.

Agricultural integration is a key feature, with cultivation land seamlessly intertwined with pathways, creating a journey through the agricultural environment. Sloped elements are added for climate considerations and cross ventilation, ensuring a comfortable experience for all.

The proposed design represents a holistic approach to preserving the history, culture, and livelihoods associated with jute, providing a unique and immersive experience for visitors while contributing to the sustainable revival of jute culture. Functional integration within the museum complex enhances the flow and overall experience of the space.

Technical information

"Sonali Asha – Bangabandhu Jute and Textile Museum" is a project that honors the history and golden fiber of Bangladesh. With the help of this project, the jute industry may be able to revive its legacy while also becoming more economically viable. Additionally, this idea can provide weavers and other artisans with a platform to demonstrate their abilities and the effort they put into the jute items made out of the golden fiber. The design infrastructure will bring through jute goods and cultivation solvency as a local heritage. People can visit the museum and learn about Jute culture, which can be the project's immediate impact. On the other hand, the connection between our future generations and the golden history of Bengal Jute culture would be this project's long-term influence. The project may benefit the jute industry and the return of jute as a cash crop in Bangladesh.