We have endeavored to recreate the precise moment of discovery. We understand the art of unearthing objects, delving deeper into the layers of the earth until suddenly, we are surprised by a find.
Also, the notion that the earth harbors secrets from the past fascinates us. Through the act of excavating the soil, we can bring a fragment of that past into the present.
Our project aims to recreate this experience through the pavilion. Initially, we pose a question about the placed object and its true nature. This question acts as a magnet, enticing visitors to explore its interior.
As they penetrate the object, they immerse themselves in a moment of restlessness and uncertainty, unaware of what they will discover. This is the instant of revelation: Eureka!
In this intriguing project, the embankment and the menhir are intertwined, forming a mysterious ensemble:
Earthwork: In the peripheral part, an elliptical-shaped earthwork is raised to protect the interior.
Menhir: Like a menhir, a simple and enigmatic monument is born within what is protected by the embankment. It consists of an oval cylinder, placed in a vertical position with its base buried, with no decoration other than a frame that frames the entrance and attracts curious onlookers.
Archaeology: This project integrates archaeological elements, such as a timber beam at the site and pieces of masonry from Yorkminster Cathedral, and as we go inside the menhir, as if we were unraveling layers of earth, these elements emerge.
The intention is to reveal to the neighbors the history that lies under their feet, protected by the earth. Additionally, the post-medieval brick culvert, is exposed and framed with a circular railing so that curious onlookers can observe the discovery.
In short, the embankment and the menhir are intertwined in an archaeological story that invites us to explore the past that is hidden under our feet.
The construction is made of wood and uses the earth from the site to make the embankment.